Thursday, 28 February 2013
Monday, 11 February 2013
Expert Group Feedback
Some of the Expert Group Comments from a Preview
Screening of Becoming Bodies, 7th February 2013:
An extremely interesting and very well put
together film…Interwoven…with paths that took us on visual and audio journeys…your
woven patchwork of sound and image were both beautiful and engaging.
Allan Edwards, National Theatre
I liked the juxtaposing of the questioning dancers
and the affirmative scientific voices… I personally liked the fact that you
were able to address the idea of scientific ‘truth’. I also liked your treatment of what constitutes a
body – where does it begin and end. And, I appreciated the broader questioning of
certainty -sex/ gender etc. Becoming Bodies, I believe will provoke discussions
on many levels and along many different lines.
Claire Neesham, Science-Art Writer and Editor
Moved beyond words.
Marina Rova, Dancer, Choreographer, Dance
Movement Psychotherapist
It’s a different way for me of working as often
I’m going in to learn steps or I’ve gone in where someone has an idea and I’ve
improvised, in an embodied but different way. My emotional body isn’t connected
in the same sense. On this level for me, it was a bringing together of lots of
different bodies and so my historical…the historical body that is behind me and
with me was very present in the process.
Jason Keenan-Smith, Dancer (in the film),
Choreographer
An interesting and moving piece. An interesting
exploration of the illusion of the self.
Dr Keon West, Psychologist
For me the entering in point in the film,
starting with death and starting with death inside a cell, inside a molecular
level was such a beautiful entering in point and so expansive and so ‘big
picture’ and right up close. While I was watching; sensations kicking off
around my body and I could feel the floor under my toes and I could smell
metal, lots and lots of body sensations whilst watching the film.
Gill Lyon, Dancer, Dramatherapist
I think that everybody is so willing to accept
truth from scientists...but I like the way that you’ve played with that.
Jon Silas Cognitive Neuroscience
…It raises a lot of intertextual questions …these
are aesthetic questions and they are also political questions….it was very
stimulating!
Dr
Anna Seymour, Dramatherapist
…There’s
a kind of cinematic beauty but also an underlying philosophical point about how
we’re all sort of broken and I really like that. It’s kind of bleak, but I like
bleak. Brilliant.
Dr Lewis Goodings, Social Psychologist
For
me, the content is rich and to get it on one hit is almost not enough! You
almost need to go back and revisit quite a few times and pick out some of the
themes that you kind of want to indulge in and just kind of think about it a
bit more. Just go back and pour over it, like a good book.
Neil Max Emmanuel, Illustrator, Motion Graphics
Designer
I’m
just really struck by all the layers. It’s really going on a journey of layers
where I’m being kind of asked…it’s sort of all the different levels of
engagement that are called upon in the watching of it. It’s incredible… very
stimulating.
Henri Seebhom, Dramatherapist
I was impressed at how text, dance and music are
integrated into one. Also, it travelled past, present and future.
Takehsi Matsumoto, Dancer (in the film), Dance
Movement Psychotherapist
Very Real and raw. Amazed at what could be
captured and contained in 35 mins.
Kriss Marr, Human Rights worker
Friday, 1 February 2013
This
groundbreaking new dance film asks questions about how we have evolved as
humans, how we live in our bodies now in the twenty first century and what we
imagine the meanings, possibilities and consequences of human growth to be, for
our future.
Release date 7th
February 2013, London.
Thursday 7th February is the premier private screening of Becoming Bodies. Those attending the private screening will include an expert hybrid group of dancers, choreographers, theatre practitioners, social psychologists, anthropologists, cognitive neuroscientists and writers. More news and a review to follow!
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| Photo: Jackie King |
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| Photo: Nick Du Plessis |
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| Photo: Nick Du Plessis |
Release date 7th
February 2013, London.
Friday, 18 May 2012
Thursday, 17 May 2012
Collaboration & Production Details
Becoming Bodies (35'')
Collaboration and Production Details
Beatrice Allegranti (artistic director, film maker and choreographer) is Reader in Dance Movement Psychotherapy and
Director of the pioneering Centre for Arts Therapies Research (CATR) at the
University of Roehampton. For the past 20 years she has developed a hybrid and
path breaking approach that integrates her work as a clinician, choreographer,
dancer and filmmaker in the UK and internationally. Her engagement within the
feminist tradition stems from a desire to challenge taken-for-granted
ideas about women, men and the politics of moving bodies in science and
culture. www.embodiedpractice.co.uk
Jill Halstead (composer) is an Associate Professor at the Grieg Academy, University of Bergen Norway. She is currently the Director of the Grieg Research School of Interdisciplinary Music Studies, which aims to encourage dialogue across the fields of music performance, musicology, music therapy and music education. Jill’s work is anchored in the feminist tradition and intertwines traditional research, educational innovation and creative practice. She has worked as a practitioner specialising in collaborative, interdisciplinary projects often exploring issues of identity and empowerment through music. She has worked with vulnerable young people, the long term unemployed, and offenders in prisons alongside creative projects with professional groups of musicians and dancers.
Movement devised in collaboration with dancers: Beatrice Allegranti, Jinji Garland, Layla Smith,
Geoffery Unkovich, Elizabeth Harris, Takeshi Matsumoto, Silja Ilmonen, Jason
Keenan-Smith, Meg Stewart.

Photo: Nick Du Plessis
Narrative
Extracts: Dr Murray Unkovich (Soil Scientist, University of Adelaide,
Australia), Dr Ann McNeill (Soil
Scientist, University of Adelaide, Australia), Professor Alexandre
Quintanilha (Biologist and Physicist,
Director, Institute for Molecular and
Cell Biology, Porto), Dr Nuno Ferrand (Evolutionary
Biologist, Research Centre in Biodiversity and Genetic Resources, Porto),
Professor Sarah Franklin (Medical
Anthropologist, Cambridge University), Professor John Dupré (Director, ESRC Centre for Genomics in
Society, Exeter University), Dr Christine Hauskeller (Deputy Director, ESRC Centre for Genomics in Society, Exeter University).
Science Communication: Sonia Martins (IBMC INEB Porto)
Photography for exhibition: Jackie King (British Photographer of the Year) &
Nick Du Plessis.
Motion graphics, Graphic design and publicity: Neil Max Emmanuel (Channel 4, Time Team, BBC,
Fulcrum, Feelgood Fiction, History Channel, National Geographic).
Production Team: TVR
Roehampton.
Screening/Installation Requirements:
an exhibition space large enough for mounting photography and text (approx 20
images) and a screening space.
Duration: Two
weeks maximum.
Partners: Fundação
para a Ciência e a Tecnologia (FCT),
hybrid Conversations between science and art:
Institute for Cell and Molecular Biology (IBMC) with the National Museum of Porto, University of Roehampton (Department of Psychology), Grieg Academy of Music (University of Bergen).
Collaboration and Production Details
Beatrice Allegranti (artistic director, film maker and choreographer) is Reader in Dance Movement Psychotherapy and
Director of the pioneering Centre for Arts Therapies Research (CATR) at the
University of Roehampton. For the past 20 years she has developed a hybrid and
path breaking approach that integrates her work as a clinician, choreographer,
dancer and filmmaker in the UK and internationally. Her engagement within the
feminist tradition stems from a desire to challenge taken-for-granted
ideas about women, men and the politics of moving bodies in science and
culture. www.embodiedpractice.co.uk
Jill Halstead (composer) is an Associate Professor at the Grieg Academy, University of Bergen Norway. She is currently the Director of the Grieg Research School of Interdisciplinary Music Studies, which aims to encourage dialogue across the fields of music performance, musicology, music therapy and music education. Jill’s work is anchored in the feminist tradition and intertwines traditional research, educational innovation and creative practice. She has worked as a practitioner specialising in collaborative, interdisciplinary projects often exploring issues of identity and empowerment through music. She has worked with vulnerable young people, the long term unemployed, and offenders in prisons alongside creative projects with professional groups of musicians and dancers.
Movement devised in collaboration with dancers: Beatrice Allegranti, Jinji Garland, Layla Smith, Geoffery Unkovich, Elizabeth Harris, Takeshi Matsumoto, Silja Ilmonen, Jason Keenan-Smith, Meg Stewart.
![]() |
| Photo: Nick Du Plessis |
Narrative
Extracts: Dr Murray Unkovich (Soil Scientist, University of Adelaide,
Australia), Dr Ann McNeill (Soil
Scientist, University of Adelaide, Australia), Professor Alexandre
Quintanilha (Biologist and Physicist,
Director, Institute for Molecular and
Cell Biology, Porto), Dr Nuno Ferrand (Evolutionary
Biologist, Research Centre in Biodiversity and Genetic Resources, Porto),
Professor Sarah Franklin (Medical
Anthropologist, Cambridge University), Professor John Dupré (Director, ESRC Centre for Genomics in
Society, Exeter University), Dr Christine Hauskeller (Deputy Director, ESRC Centre for Genomics in Society, Exeter University).
Science Communication: Sonia Martins (IBMC INEB Porto)
Motion graphics, Graphic design and publicity: Neil Max Emmanuel (Channel 4, Time Team, BBC, Fulcrum, Feelgood Fiction, History Channel, National Geographic).
Production Team: TVR
Roehampton.
Screening/Installation Requirements:
an exhibition space large enough for mounting photography and text (approx 20
images) and a screening space.
Duration: Two
weeks maximum.
Partners: Fundação
para a Ciência e a Tecnologia (FCT),
hybrid Conversations between science and art:
Institute for Cell and Molecular Biology (IBMC) with the National Museum of Porto, University of Roehampton (Department of Psychology), Grieg Academy of Music (University of Bergen).
Monday, 14 May 2012
Background Information
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| Photo: Nick Du Plessis |
Becoming Bodies is a new (35 minute) dance-science film by Beatrice Allegranti
The film emerged as a result of an artistic collaboration with the Institute for Cell and molecular Biology
in Porto and the Grieg Academy of Music (University of Bergen) from 2009-2011. During this time Beatrice Allegranti conducted filmed interviews with
leading UK, German and Portuguese scientists and philosophers in the fields of
evolutionary biology and genomics. These interviews reveal individuals who
‘birth’ ideas and unveil the frameworks in which they operate. As such, the
interviews influenced the development of the film and form a direct part of the
film sound score by Jill Halstead.
Becoming Bodies aims to generate
public curiosity about the revolutionary alliance between biology and body
politics in a culturally accessible way. In particular, the film highlights how
bodies are sexed and gendered through a mutually influencing and at times,
pernicious process of biological and
social construction.
Keep an eye out for updates and forthcoming screenings.
See: www.embodiedpractice.co.uk for more details
Keep an eye out for updates and forthcoming screenings.
See: www.embodiedpractice.co.uk for more details
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